However you express your creativity, you need undisturbed time for its expression. One of the best ways to crush your creativity is to avoid setting boundaries that others will respect.
Virgina Woolf wrote at length about the importance of having a room of one's own. With all respect, I'd take it further. You need a life of your own, one that isn't constantly interrupted by the child who can't find his shoes, the teenager who urgently needs a ride to the mall, and the mate who wants to know who used the last light bulb.
It seems to be a law that, whenever you go into that room of your own and close the door, everyone wants to open it. This, however, isn't a law of nature. Unlike the law of gravity, you can change it, but it's going to take moral fortitude, fueled by the conviction that a life of your own is important.
Solution
The key to upsetting the law of interruption is to closely examine the idea wanting time for yourself is selfish. My guide on this subject is Edward Bach, M.D., who also created the Bach Flower Remedies, designed to deal with emotional imbalances.
Many of us learned that to follow our deepest desires is to be selfish, despite Shakespeare's observation that we're true to ourselves we will be false to no one else. In Dr. Bach's view selfishness consists, not in honoring our own desires, but in interfering with the desires of others.
In other words, anyone who wants to interfere with the time you've set aside for yourself is saying, "Don't be selfish and do what you want. Be unselfish and do what I want (so I can be selfish)."
Your beloved family and friends don't think of themselves as interfering. They may be upset that something seems more important to you than them. They want reassurance. They want to know that they're LOVED.
And the truth may be that after the sixth interruption in as many minutes, you may not be overflowing with love. They're right to be worried.
Everyone's situation is unique, so you'll have to figure out the particulars of how to shift the dynamics in your relational world. You may find these general guidelines helpful.
1. Believe in yourself and in your creative urges. Honor them as if you needed them to survive and thrive. You do.
2. The more you respect yourself and your creativity, the more you will automatically draw respect from others.
3. The more you insist on fulfilling your needs, the more interest you'll have in helping others fulfill theirs.
4. To whatever extent possible, include others in your creative life. If you write paranormal fiction, ask "What's a good name for a vampire?" If you paint, ask others to be on the lookout for compelling views in nature. Do whatever works to make them feel included rather than excluded.
5. Finally, consider this analogy. If you were a car, you wouldn't say you're too busy taking people to where they need to go to stop in for a checkup/tuneup, because you know a car can't do what it has to do unless it gets serviced. Know this applies to your creative life, and communicate it to others.
As a writer, I have come to realize that the creative challenges I face in writing are the same challenges I face in life. The choices we make create the work of art that is life. This blog is devoted to what I am always learning about creating a life of joy and community. I hope that I can make a contribution to your own life.
Monday, April 16, 2012
Wednesday, April 4, 2012
15 Attitudes You Can Live Without
From http://www.purposefairy.com/3308/15-things-you-should-give-up-in-order-to-be-happy/ via Peaceful Daily Planet
1. Give up your need to always be right.
2. Give up your need for control.
3. Give up on blame.
4. Give up your self-defeating self-talk.
5. Give up your limiting beliefs
6. Give up complaining.
7. Give up the luxury of criticism.
8. Give up your need to impress others.
9. Give up your resistance to change.
10. Give up labels.
11. Give up on your fears.
12. Give up your excuses.
13. Give up the past.
14. Give up attachment.
15. Give up living your life to other people's expectations.
1. Give up your need to always be right.
2. Give up your need for control.
3. Give up on blame.
4. Give up your self-defeating self-talk.
5. Give up your limiting beliefs
6. Give up complaining.
7. Give up the luxury of criticism.
8. Give up your need to impress others.
9. Give up your resistance to change.
10. Give up labels.
11. Give up on your fears.
12. Give up your excuses.
13. Give up the past.
14. Give up attachment.
15. Give up living your life to other people's expectations.
Monday, March 26, 2012
Creativity and the Dreaded “Mommy Guilt”

Connie has written some excellent blog posts in the past about how effective guilt is at stifling creativity; I know this firsthand.
Ever since I became a mother, almost a year ago now (although it doesn’t seem like that long ago!), I’ve been battling the dreaded “Mommy Guilt.” It doesn’t matter that I took a year off from my high-pressure position as an editor and inhouse author in trade publishing (and recently resigned from it) because I wanted to be a stay-at-home mom, I still often feel guilty about the hours I spend each day on my keyboard, freelancing part-time as a “book doctor” and editor. Most of those hours occur when she is tucked away in bed for the night, slumbering sweetly, but some of them necessitate her going to nursery school two days a week.
However, as my girl grows and increases in independence by the day, I’m beginning to realize that—even if it means late nights and sacrificing some time with my child and a good deal of my social life—my work has benefits for her as well as for me (and for our household in general). For me, my work in the creative arts is not a luxury: it is a necessity. While I devote much of my time to freelance editing, and sometimes begrudge that it doesn’t allow me enough time to write, I am one of those lucky individuals who can say, for a fact, that I truly love what I do. It is my passion. I love taking a diamond in the rough and polishing it up to add more facets. I love helping other authors make their work the best it can be.
For my daughter, my passion for my work means that she not only gets to see firsthand the value of having a strong work ethic, but that she will also grow up appreciating that work should be a delight, something you actively look forward to doing. Already, I am seeing the shoots of her own burgeoning creativity as she indulges in her daily play. My love for the written word has also inspired in her a love of books. Even at just one year of age, she loves to carefully turn the pages (now recognising that pages are for turning and not for tearing) and to point to the bright pictures. Spending time reading to my darling is quality time, and although she is too small yet to fully understand the stories I write for her, I hope that one day they will number among her favourites.
When she was very small, my guilt at snatching short, private moments to write was overwhelming—and sometimes paralysing. But as she grows, I’m realizing that she, too, actively values time spent alone in creative play. She doesn’t always want an adult playing with her or hovering over her; sometimes she wants to explore objects in solitary (although supervised) reflection.
Interestingly, my book of short stories, “Cage Life,” although written some years ago before I became a mother, deals with themes relating to guilt and freedom in motherhood. In it, a young mother longs for the carefree life she once led, which leads to disastrous consequences. Now that I am a mother, it is probably not a story I could bear to write, but I still feel that it explores many of the wistful, private moments that mothers, particularly first-time moms, struggle with: the loss of a singular identity; the guilt; the longing for freedom, either creative or just a few hours to take a long bath or to go to the hairdresser. Don’t get me wrong, I love being a mother. My child will always be my greatest work, and a work-in-progress for my entire life. But, as a creative, I also know that I have other children—children stuffed away in drawers and hastily scribbled upon in brief snatches.
My advice to all new mothers who write, and who are struggling to find the time to be creative while keeping up with diaper changing, feeding, playing with and consoling babies, is that we should try not to feel guilty about anything that rounds us out and makes us who we truly are. Our children need us to be ourselves, with all of our passion, creativity and individuality intact. It is how they learn the value of those elements to humanity. And if nothing else, writing provides an escape from the everyday that is empowering and fully imaginative. We may be covered in baby vomit, have been up since 5 am, and really, really need to mop the floor sometime today, but in our heads we can be dancing flamenco, solving murder mysteries, trying to eke out a living on an alien world, or any manner of other exciting possibilities. So guilt be damned! Tonight she is sound asleep and for those silent hours in between the little cries in the night, I’m not a just a mommy, I’m a writing mommy, and write I will!
Karin’s book of short stories Cage Life is available from Amazon US http://www.amazon.com/Cage-Life-ebook/dp/B005DC6AHM/ref=sr_1_1?ie=UTF8&qid=1332765096&sr=8-1
Amazon UK http://www.amazon.co.uk/Cage-Life-ebook/dp/B005DC6AHM/ref=sr_1_1?ie=UTF8&qid=1332765161&sr=8-1
Her book of poetry, Growth is available from:
Amazon US http://www.amazon.com/Growth-ebook/dp/B005D5RCD0/ref=ntt_at_ep_dpt_2
Amazon UK Growth
Barnes & Noble http://www.barnesandnoble.com/w/growth-karin-cox/1104361734?ean=2940011380730&itm=2&usri=karin+cox
Follow Karin’s blog at www.karincox.wordpress.com
Read more about Karin’s work www.editorandauthor.com
Follow Karin on twitter @Authorandeditor
Or Facebook www.facebook.com/KarinCox.Author

Sunday, March 25, 2012
How to Crush Your Creativity: Feel Guilty
Guilt sometimes involves self-criticism, which was described in an earlier post. However, the kind of self-criticism I described involved tearing your work apart, condemning yourself for even thinking talent lurks somewhere within you, and similar acts of self-sabotage.
Guilt as it relates to creativity, is less related to the actual creative project. It has much more to do with stepping beyond the limitations you may have learned as a child.
Here's an example from my childhood. My father had dreams of becoming a minister. However, he made what he thought was a more practical choice, graduating from college with an engineering degree. Because he made a choice that didn't come from his deepest desires, he went into his work life with an attitude of resentment that deepened into total dislike of his job, a dislike that he never hesitated to share with the family that depended on his income for survival.
Even though his career decision had been made before he got married and had children, in telling us how he'd had to give up his dreams, he made us the cause of his great life's disappointments. Illogical as this was, young children, who rely on their parents for their understanding of the world, are inclined to choose loyalty over logic.
It took me years to figure out how thoroughly I'd been programmed to believe that you weren't supposed to like your job. Whenever I had the opportunity to switch careers and choose one I would enjoy, I managed to talk myself out of doing so.
Finally I uncovered the truth: that I felt guilty about the idea that I could enjoy my work life much more than my father (who had allegedly sacrificed his happiness for his children) ever did. Once I managed to cut the unconscious ties of guilt, it was surprisingly easy to make creative choices and create a career that totally thrilled me.
Solution
Ask yourself if you're afraid of having too much fun in your career/work life and why this is so.
If you can relate this to dissatisfaction on the part of either of your parents in their jobs, explore this connection.
Ask yourself how your dissatisfaction can increase their happiness. You may find reasons: Your success could make them feel like failures. They could feel that you are disloyal to the family.
You can tease out answers by imagining telling your parents how happy you are in your career, how much you enjoy the money you make and the creative opportunities. Imagine their responses. (This works whether they are alive or not.)
Finally, make a choice. You can choose to be loyal to your family or you can take the risk of independence and happiness.
Guilt as it relates to creativity, is less related to the actual creative project. It has much more to do with stepping beyond the limitations you may have learned as a child.
Here's an example from my childhood. My father had dreams of becoming a minister. However, he made what he thought was a more practical choice, graduating from college with an engineering degree. Because he made a choice that didn't come from his deepest desires, he went into his work life with an attitude of resentment that deepened into total dislike of his job, a dislike that he never hesitated to share with the family that depended on his income for survival.
Even though his career decision had been made before he got married and had children, in telling us how he'd had to give up his dreams, he made us the cause of his great life's disappointments. Illogical as this was, young children, who rely on their parents for their understanding of the world, are inclined to choose loyalty over logic.
It took me years to figure out how thoroughly I'd been programmed to believe that you weren't supposed to like your job. Whenever I had the opportunity to switch careers and choose one I would enjoy, I managed to talk myself out of doing so.
Finally I uncovered the truth: that I felt guilty about the idea that I could enjoy my work life much more than my father (who had allegedly sacrificed his happiness for his children) ever did. Once I managed to cut the unconscious ties of guilt, it was surprisingly easy to make creative choices and create a career that totally thrilled me.
Solution
Ask yourself if you're afraid of having too much fun in your career/work life and why this is so.
If you can relate this to dissatisfaction on the part of either of your parents in their jobs, explore this connection.
Ask yourself how your dissatisfaction can increase their happiness. You may find reasons: Your success could make them feel like failures. They could feel that you are disloyal to the family.
You can tease out answers by imagining telling your parents how happy you are in your career, how much you enjoy the money you make and the creative opportunities. Imagine their responses. (This works whether they are alive or not.)
Finally, make a choice. You can choose to be loyal to your family or you can take the risk of independence and happiness.
Friday, March 16, 2012
An Irish Blessing

Doolin, a village in County Clare, on the Atlantic coast.
I know a lot of Irish blessings and some curses, too. The one below is a favorite.
May your glass be ever full.
May the roof over your head be always strong.
And may you be in heaven
half an hour before the devil knows you're dead.

View from a cottage I rented in Kilfenora, the Burren, County Clare.
Monday, March 12, 2012
How to Crush Your Creativity: Shut Down
I could describe this with other words: apathy, indifference, or resignation. I used the phrase, "shut down" because it's an action that illustrates the above emotions. What you shut down are the sensory, emotional, and caring mechanisms.
No one likes your idea? Who cares?
You just got another rejection for a creative project? So what?
You haven't had an original idea in three months? Big deal.
You're starting to feel dull, slightly rancid, and claustrophobic? It's better than getting hurt or having your hopes raised, only to have them crash once more to the ground.
A brief interval of being shut down probably does no harm. When the heart aches beyond endurance and the nerve endings are beyond frayed, a period of retreat provides a vacation for the overwrought. "Brief," however, is the defining adjective.
Beneath the layer of anesthesia that numbs the pain, your imagination, hopes, and dreams still live. If you continually suppress them, you could end up feeling far unhappier than you did when you were suffering defeat. There's a good reason for this: the only one responsible for this pain is you, and you know it.
Solution
If you've reached the point where you can't conjure up any enthusiasm for either continuing a current project or starting a new one, allow yourself a vacation, but, if you can, skip the Novocaine.
Spend your checking-out time enjoying yourself. Be with friends. Express your creativity by enjoying that of others. Listen to music you love, read, watch movies. Be kind to yourself and look for ways to make yourself happy.
Get back to where you once belonged. Ask yourself why you express your creativity? Is it for the approval of others? Or is it because it gives you pleasure to do so? If you can remember that you do it for the love of it, you're on the road to reliving that feeling. Once the feeling is renewed, the creative spark that gives you life will re-ignite, and its fire will warm you once again.
No one likes your idea? Who cares?
You just got another rejection for a creative project? So what?
You haven't had an original idea in three months? Big deal.
You're starting to feel dull, slightly rancid, and claustrophobic? It's better than getting hurt or having your hopes raised, only to have them crash once more to the ground.
A brief interval of being shut down probably does no harm. When the heart aches beyond endurance and the nerve endings are beyond frayed, a period of retreat provides a vacation for the overwrought. "Brief," however, is the defining adjective.
Beneath the layer of anesthesia that numbs the pain, your imagination, hopes, and dreams still live. If you continually suppress them, you could end up feeling far unhappier than you did when you were suffering defeat. There's a good reason for this: the only one responsible for this pain is you, and you know it.
Solution
If you've reached the point where you can't conjure up any enthusiasm for either continuing a current project or starting a new one, allow yourself a vacation, but, if you can, skip the Novocaine.
Spend your checking-out time enjoying yourself. Be with friends. Express your creativity by enjoying that of others. Listen to music you love, read, watch movies. Be kind to yourself and look for ways to make yourself happy.
Get back to where you once belonged. Ask yourself why you express your creativity? Is it for the approval of others? Or is it because it gives you pleasure to do so? If you can remember that you do it for the love of it, you're on the road to reliving that feeling. Once the feeling is renewed, the creative spark that gives you life will re-ignite, and its fire will warm you once again.
Thursday, February 23, 2012
How to Crush Your Creativity: Be Self-Critical
To get clear on this, we need to distinguish between "criticize" and "critique" and throw in the word "evaluate."
We need to evaluate the work we're doing. If I'm writing something (as I am now), I want to stop and see if the words make sense and if they will communicate what I mean.
However, even with the supposedly neutral process of evaluation, timing is everything. If I stop to check every word, my creative motion gets stalled. In the beginning stages of a creative process, it's often more effective to let it have its way and evaluate it once the burst of energy has slowed down or stopped.
Evaluation that says, "I think this word/idea would be better than the original" and goes on to make the replacement can enhance the creative process. Criticism is a different species.
Criticism says, "That's the stupidest idea I ever heard. I really have no talent. I should give up before it's too late." Too late, to use an architectural analogy, can mean that if you continue building your idea/project, it's going to crumble. It also means "Quit before someone else finds out how stupid you are and laughs at you or punishes you."
In psychological terms, criticism is the voice of a parent speaking to a child, a voice you've internalized. You learned to summon and hear its voice because you didn't want to get punished, whether that punishment was physical or humiliation. The critical voice punishes you in advance in order to save you from worse.
Solution
Self-criticism is deadly. Sometimes people stumble into the practice of criticizing themselves for being self-critical. Don't.
Here's another solution that won't work: Give up creative expression so that you won't hear the critical voice. That voice is on constant combat mode. If it can't criticize you for stupid thinking, it will criticize you for forgetting something or for how you tie your shoelaces. You need to face it.
Antidotes to the poison of self-criticism can include the following.
Tell yourself that it's okay if the first round (or the second or third) aren't perfect.
Even better, give up on the idea of perfection. Replace that notion with one of doing the absolute best you can.
Don't criticize. Evaluate. Instead of focusing on how bad something is, focus on what would improve it.
Don't pound away at it. Sometimes it's best to walk away and come back later.
If you feel really stuck, ask your inner wisdom, first trusting that you have it. You do; it's part of the software in the package that accompanied you into this world. Say, "I ask for an answer" or whatever wording works best for you.
Finally, as much as you may want to hate this voice, bear in mind that it originated in an attempt to save you pain. Sometimes the most useful act is to thank it for its efforts and tell it you don't need it any more.
We need to evaluate the work we're doing. If I'm writing something (as I am now), I want to stop and see if the words make sense and if they will communicate what I mean.
However, even with the supposedly neutral process of evaluation, timing is everything. If I stop to check every word, my creative motion gets stalled. In the beginning stages of a creative process, it's often more effective to let it have its way and evaluate it once the burst of energy has slowed down or stopped.
Evaluation that says, "I think this word/idea would be better than the original" and goes on to make the replacement can enhance the creative process. Criticism is a different species.
Criticism says, "That's the stupidest idea I ever heard. I really have no talent. I should give up before it's too late." Too late, to use an architectural analogy, can mean that if you continue building your idea/project, it's going to crumble. It also means "Quit before someone else finds out how stupid you are and laughs at you or punishes you."
In psychological terms, criticism is the voice of a parent speaking to a child, a voice you've internalized. You learned to summon and hear its voice because you didn't want to get punished, whether that punishment was physical or humiliation. The critical voice punishes you in advance in order to save you from worse.
Solution
Self-criticism is deadly. Sometimes people stumble into the practice of criticizing themselves for being self-critical. Don't.
Here's another solution that won't work: Give up creative expression so that you won't hear the critical voice. That voice is on constant combat mode. If it can't criticize you for stupid thinking, it will criticize you for forgetting something or for how you tie your shoelaces. You need to face it.
Antidotes to the poison of self-criticism can include the following.
Tell yourself that it's okay if the first round (or the second or third) aren't perfect.
Even better, give up on the idea of perfection. Replace that notion with one of doing the absolute best you can.
Don't criticize. Evaluate. Instead of focusing on how bad something is, focus on what would improve it.
Don't pound away at it. Sometimes it's best to walk away and come back later.
If you feel really stuck, ask your inner wisdom, first trusting that you have it. You do; it's part of the software in the package that accompanied you into this world. Say, "I ask for an answer" or whatever wording works best for you.
Finally, as much as you may want to hate this voice, bear in mind that it originated in an attempt to save you pain. Sometimes the most useful act is to thank it for its efforts and tell it you don't need it any more.
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